Getting the band together

[Corwin]

Seira channels disintegrate into a claw and then makes a hole in the iron. Unless there is a magic upon it that would do nasty things as a result, even though she's not using a ray.

[Anastasia]

Nope, just magic to strike anyone who touches it dumb. Not something that you have to worry about with what you are. Past that is another inch - and this time a sphere of red quartz just beyond it, yet another one.

This one's enchanted to blast you backwards if touched or disturbed with sharp, violent force.

[Corwin]

This time Seira sends out a disintegrate the normal way, and as the ray is on its way establishes a wall of force to cover the gap in the wall of iron she had created.

[Anastasia]

Done.

Unsurprisingly, beyond that looks to be a wall of smooth adamantine, a sphere ever smaller than the last, again blocking your way.

Through the walls you can hear the sounds of combat and alarm, but it's distant.

[Corwin]

It's fine. Seira doesn't need to rush. It hasn't even been thirty seconds objectively since the start of Lagann's diversion, and given her surprises left during Time Stop the defenders must be uncertain of how many attackers there are. Besides, Lagann and Oraga are supremely capable, and Oraga did want to stretch her legs a bit.

Phasing through her own wall of force, Seira disintegrates the adamantine ahead.

If it has a nasty trap on it, I'll defend myself with another wall of force. Otherwise, I'll recast Shadow Form as I proceed.

[Anastasia]

The adamantine gives, and before you is a sphere of dark, opaque glass. It's getting smaller each layer, this one enchanted to return any harm onto those who dealt it, as well as protection to prevent it from easily shattering.

[Corwin]

Strategic disintegrations free up an unconnected block of adamantine, which Seira then animates to smash a path through the layer of glass!

Animate Objects for whichever will fit here. I can also imbue the golem(s) with extra attack, damage and temp hp should it be needed, though I'm hoping adamant wins vs glass on its own.

[Anastasia]

Just so I can adjudicate this properly, how big a block are you aiming for?

[Corwin]

Like I said, as much space as I have to work with here. 3 1-inch intervals plus the width of two walls (iron and adamant) that were never specified to me. I'm sure there's space for at least a tiny animated object.

[Anastasia]

Whoops, late night sleepiness.

CLANG! Rushing adamantine is enough, the glass shattering in part, enough to reveal what lies beneath - an ornate statue of an efreet with a shield, made of what must be pure adamantine. From the magic on it, it's your source, alright.

[Corwin]

After confirming that it doesn't have more traps, Seira tells the statue she's the efreet commander of this mine as she attempts to seize control!

UMD to try and fool it, and whatever else I might need to actually manipulate the controls.

[Anastasia]

Sure, gimme a check.

[Corwin]

I'm fairly competent. Divine insight was used.

18:55 <CC> roll 1d20+85
18:55 <Penuche> CC invokes Penuche's magic: < 103 > [d20=18]

[Anastasia]

With your divine level of skill, getting the statue to listen to your commands is not overwhelmingly difficult. It is yours to turn on and off as you like.

[Corwin]

First of all, Seira attempts to determine the level of fine control available. Is the range malleable, and has it been set to maximum thus far? Is there a way to control it from range, now that she's seen the design? Is it possible to make the dimensional travel selective, and allow it only for her companions and the slaves?